{"id":35051,"date":"2026-04-09T11:53:50","date_gmt":"2026-04-09T09:53:50","guid":{"rendered":"https:\/\/chroniques.org\/?p=35051"},"modified":"2026-03-25T12:25:08","modified_gmt":"2026-03-25T11:25:08","slug":"february-and-march-residencies-plateforme-chroniques-creations","status":"publish","type":"post","link":"https:\/\/chroniques.org\/en\/february-and-march-residencies-plateforme-chroniques-creations\/","title":{"rendered":"February and March residencies \u2014 Plateforme CHRONIQUES CR\u00c9ATIONS"},"content":{"rendered":"\n

This spring, six artists are in residence with partners of the CHRONIQUES CR\u00c9ATIONS platform throughout the region. Each project, in its own way, explores the boundaries between body and machine, tradition and technology, resistance and poetry, with a view to presenting them at Biennale des Imaginaires Num\u00e9riques 2026<\/strong>. <\/p>\n\n

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Lundja Medjoub<\/strong>La structure des voix <\/em> <\/h3>\n\n\n\n
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La structure des voix diverts traditional uses of voice and urban space. By amplifying and manipulating vocal fragments, this project offers a poetic diversion of service voices: a gentle but disturbing intrusion, where disembodied voices emerge in the everyday soundscape, creating perceptible, musical, and political disturbances.<\/em> <\/p>\n\n\n\n

Residency from February 22 to 26, at GMEM \u2013 Centre national de cr\u00e9ation musicale<\/a>, Marseille<\/strong><\/p>\n\n\n\n

Coproduction : GMEM – Centre national de cr\u00e9ation musicale, LABgamerz, Stereolux (Nantes), C\u00e9sar\u00e9 – Centre national de cr\u00e9ation musicale de Reims, l\u2019aCNCM – association des Centres Nationaux de Cr\u00e9ation Musicale, avec CHRONIQUES – P\u00f4le r\u00e9gional de la cr\u00e9ation en environnement num\u00e9rique, pour la Biennale des Imaginaires Num\u00e9riques, dans le cadre de la plateforme CHRONIQUES CR\u00c9ATIONS. Avec le soutien de la SACEM. <\/p>\n\n\n\n

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Cl\u00e9ment \u00c9douard<\/strong>INVU [Archipel] <\/em><\/em> <\/h3>\n\n\n\n
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INVU<\/em> consists of seven sand sculptures, each incorporating a wireless speaker and a motion sensor. These objects, designed by artist Eva Vedel, are both fragile and tactile, and can be picked up and moved by the audience. Each movement modifies the sound material and its spatialization, transforming the perception of the whole. The refrains they broadcast will draw their inspiration from a reinvented lyricism, giving rise to a shared space that is both fragile and strong: a refuge where one can draw strength from resilience and connection. <\/p>\n\n\n\n

Residency from March 9 to 13, at GMEM \u2013 Centre national de cr\u00e9ation musicale<\/a><\/strong>, Marseille<\/strong><\/p>\n\n\n\n

Coproduction : Biennale des Imaginaires Num\u00e9riques, dans le cadre de la plateforme CHRONIQUES CR\u00c9ATIONS, GMEM \u2014 Centre national de cr\u00e9ation musicale, Les Rotondes (Luxembourg), avec CHRONIQUES – p\u00f4le r\u00e9gional de la cr\u00e9ation en environnement num\u00e9rique, le GMEA, Centre National de Cr\u00e9ation Musical d\u2019Albi, le GRAME Centre National de Cr\u00e9ation Musicale de Lyon, la R\u00e9gion Rh\u00f4ne-Alpes-Auvergne, La DRAC Rh\u00f4ne-Alpes-Auvergne, la SACEM, la Maison de la Musique Contemporaine.<\/p>\n\n\n\n

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Agn\u00e8s de Cayeux<\/strong>SILA<\/em><\/em><\/em><\/h3>\n\n\n\n
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SILA<\/em> is an immersive poetic work that blends documentary and fiction: a Greenlandic experience that offers a counterpoint to the virile and heroic imagery of polar expeditions. Agn\u00e8s and her collaborators invite us to travel through real and virtual polar worlds, following in the footsteps of women artists, scientists, and activists who have explored this Arctic territory from the 19th century to the present day. In Kalaallisut, the official language of Greenland, the word sila refers to natural elements such as wind, air, and weather, but also to a vital force that governs the universe. <\/p>\n\n\n\n

Residency from March 23 to 27, at Grenier \u00e0 Sel <\/a>\u00e0 Avignon.<\/strong><\/p>\n\n\n\n

Production d\u00e9l\u00e9gu\u00e9: Dark Euphoria. Coproduction Le Safran – Sc\u00e8ne conventionn\u00e9e d’Amiens M\u00e9tropole, Le Grenier \u00e0 Sel et CHRONIQUES, P\u00f4le R\u00e9gional de la Cr\u00e9ation en Environnement Num\u00e9rique PACA – pour la Biennale des Imaginaires Num\u00e9riques, dans le cadre de la plateforme CHRONIQUES CR\u00c9ATIONS. <\/p>\n<\/div>\n\n\n\n

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Mawena Yehouessi<\/strong> Black Afterlight <\/em><\/em> <\/h3>\n\n\n\n
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Black Afterlight<\/em> questions the absence of magic in technological imaginaries. The first stage of a larger project, the work prefigures a solar device activated during Vodun rituals in Benin. Combining digital art, cosmopolitics, and diasporic spirituality, Black Afterlight<\/em> offers a diffracted cinema that turns the image into a place of healing, dissonance, and liberation. <\/p>\n\n\n\n

Residency from February 23 to 27, at the Ballet National de Marseille<\/a> <\/strong><\/p>\n\n\n\n

Coproduction : CCN-Ballet National de Marseille, Festival Parall\u00e8le (Marseille), 3 bis f – Centre d\u2019arts contemporains (Aix-en-Provence) avec CHRONIQUES – P\u00f4le r\u00e9gional de la cr\u00e9ation artistique en environnement num\u00e9rique, pour la Biennale des Imaginaires Num\u00e9riques, dans le cadre de la plateforme CHRONIQUES CR\u00c9ATIONS.<\/p>\n\n\n\n

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Olivier B\u00e9mer<\/strong><\/strong> Go Uncanny <\/em> <\/em><\/em> <\/h3>\n\n\n\n
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Go Uncanny<\/em> is inspired by the worker’s wig: the diversion of time and work materials to create personal objects. By getting hired as a temporary worker in a logistics warehouse, Olivier B\u00e9mer will film his daily life with a hidden camera and create hybrid figures. Scanned and then animated in 3D, they will appear in the film. Part documentary, part symbolic sabotage, Go Uncanny<\/em> revives the tradition of go canny: slowing down, shifting gears, resisting through disruption, play, and fiction. <\/p>\n\n\n\n

Residency from March 16 to 22, at Centre d’art Fernand L\u00e9ger<\/a> \u00e0 Port-de-Bouc<\/strong><\/p>\n\n\n\n

Coproduction : Centre d\u2019art Fernand L\u00e9ger – Port-de-Bouc, avec CHRONIQUES – P\u00f4le r\u00e9gional de la cr\u00e9ation en environnement num\u00e9rique, pour la Biennale des Imaginaires Num\u00e9riques dans le cadre de la plateforme CHRONIQUES CR\u00c9ATIONS. Avec le soutien de l\u2019ADAGP dans le cadre de la bourse \u201cTemps de recherche artistique\u201d. <\/strong><\/p>\n\n\n\n

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Mathilde Reynaud<\/strong>Le langage des phal\u00e8nes<\/em><\/em><\/em><\/strong><\/em> <\/em><\/em><\/em><\/h3>\n\n\n\n
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Le langage des phal\u00e8nes<\/em> explores the first documented computer bug as an act of animist resistance. The game mechanics, inspired by The Butterfly Dream (Chuang Tzu), transform this technical flaw into a space for poetic subversion of life on the machine. The player moves between a garden and archives, while fatigue triggers metamorphoses (human\/butterfly) and sensory glitches (video memories, acoustic distortions). <\/p>\n\n\n\n

Residency from March 23 to April 7, at the Fruiti\u00e8re Num\u00e9rique<\/a> \u00e0 Lourmarin<\/strong><\/p>\n\n\n\n

Coproduction : PL\u00c9IADES – R\u00e9seau Arts & Sciences, La Fruiti\u00e8re Num\u00e9rique (Lourmarin), Octobre Num\u00e9rique, CHRONIQUES – P\u00f4le r\u00e9gional de la cr\u00e9ation en environnement num\u00e9rique – R\u00e9gion PACA pour la Biennale des Imaginaires Num\u00e9riques, dans le cadre de la plateforme CHRONIQUES CR\u00c9ATIONS.<\/p>\n<\/div>\n<\/div>\n\n

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Launched in 2018, the CHRONIQUES CREATIONS platform brings together production and dissemination structures at the regional, national, and international levels. Together, they support and guide artists across all disciplines in creating original works to be presented as part of the Biennale des Imaginaires Num\u00e9riques in Marseille, Aix-en-Provence, and throughout the Provence-Alpes-C\u00f4te d\u2019Azur region.The platform thus promotes cooperation around artistic projects from production to dissemination through financial support as well as technical and artistic expertise. <\/p>\n\n

CHRONIQUES CREATIONS fully aligns with the missions of the Resource Poles for Artistic Creation in a Digital Environment, supported by the French Ministry of Culture and the DRAC Provence-Alpes-C\u00f4te d\u2019Azur.<\/p>\n\n

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