{"id":34638,"date":"2025-10-01T14:50:49","date_gmt":"2025-10-01T12:50:49","guid":{"rendered":"https:\/\/chroniques.org\/creations\/artistic-support\/"},"modified":"2026-03-03T15:36:16","modified_gmt":"2026-03-03T14:36:16","slug":"artistic-support","status":"publish","type":"page","link":"https:\/\/chroniques.org\/en\/creations\/artistic-support\/","title":{"rendered":"Artistic support"},"content":{"rendered":"\n<h1 class=\"wp-block-heading alignwide\">Artistic support <\/h1>\n\n\n\n<div class=\"wp-block-columns alignwide is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p class=\"has-medium-font-size\" style=\"border-style:none;border-width:0px;margin-top:0;margin-right:0;margin-bottom:0;margin-left:0;padding-top:0;padding-right:0;padding-bottom:0;padding-left:0\">Designated as the regional resource hub for artistic creation in the digital environment for the PACA region, we are strengthening our mission to support artists. We are developing several initiatives to support contemporary digital creation, working closely with our partners and professional networks.<\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-buttons alignwide is-layout-flex wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button\"><a class=\"wp-block-button__link wp-element-button\" href=\"https:\/\/chroniques.org\/en\/chroniques-ressource-hub\/\">Read more<\/a><\/div>\n<\/div>\n\n\n\n<figure class=\"wp-block-image alignwide size-large has-custom-border\"><img loading=\"lazy\" decoding=\"async\" width=\"1500\" height=\"1000\" src=\"https:\/\/chroniques.org\/wp-content\/uploads\/2025\/10\/54_Cloture_vendredi-17-janvier_Friche_Basse-def_\u00a9Gregoire-Edouard-1500x1000.jpg\" alt=\"\" class=\"wp-image-34294\" style=\"border-radius:15px\" srcset=\"https:\/\/chroniques.org\/wp-content\/uploads\/2025\/10\/54_Cloture_vendredi-17-janvier_Friche_Basse-def_\u00a9Gregoire-Edouard-1500x1000.jpg 1500w, https:\/\/chroniques.org\/wp-content\/uploads\/2025\/10\/54_Cloture_vendredi-17-janvier_Friche_Basse-def_\u00a9Gregoire-Edouard-1000x667.jpg 1000w, https:\/\/chroniques.org\/wp-content\/uploads\/2025\/10\/54_Cloture_vendredi-17-janvier_Friche_Basse-def_\u00a9Gregoire-Edouard-768x512.jpg 768w, https:\/\/chroniques.org\/wp-content\/uploads\/2025\/10\/54_Cloture_vendredi-17-janvier_Friche_Basse-def_\u00a9Gregoire-Edouard-1536x1024.jpg 1536w, https:\/\/chroniques.org\/wp-content\/uploads\/2025\/10\/54_Cloture_vendredi-17-janvier_Friche_Basse-def_\u00a9Gregoire-Edouard.jpg 2000w\" sizes=\"auto, (max-width: 1500px) 100vw, 1500px\" \/><figcaption class=\"wp-element-caption\">Disco Funeral &#8211; Sutdio Martyr &#8211; 2024 \u00a9 Gr\u00e9goire \u00c9douard<\/figcaption><\/figure>\n\n\n\n<hr class=\"wp-block-separator alignwide has-alpha-channel-opacity is-style-wide\" style=\"margin-top:var(--wp--preset--spacing--80);margin-bottom:var(--wp--preset--spacing--80)\"\/>\n\n\n\n<div class=\"wp-block-columns alignwide is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p class=\"has-large-font-size\">Production platform<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p class=\"has-medium-font-size\">Through the CHRONIQUES CR\u00c9ATIONS platform, we launch calls for projects every two years for works in progress and existing works. Selected artists receive tailored support: production, advice, networking, visibility. <br>This creative fund exists thanks to the involvement of numerous partners: production companies, residency venues, cultural actors, and institutions that participate in co-productions or partnerships.<\/p>\n\n\n\n<details class=\"wp-block-details is-layout-flow wp-block-details-is-layout-flow\"><summary>Calendar<\/summary>\n<p><strong>Call for projects launched:<\/strong> in early spring, every two years (odd-numbered years).<br><strong>Winners announced:<\/strong> in winter of the same year.<br><strong>Projects presented: <\/strong>the following year during the Biennale des Imaginaires Num\u00e9riques (Digital Imagination Biennial).<\/p>\n<\/details>\n\n\n\n<div class=\"wp-block-buttons is-layout-flex wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button\"><a class=\"wp-block-button__link wp-element-button\" href=\"https:\/\/chroniques.org\/en\/creations\/call-for-projects\/\">Read more<\/a><\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<hr class=\"wp-block-separator alignwide has-alpha-channel-opacity is-style-wide\" style=\"margin-top:var(--wp--preset--spacing--80);margin-bottom:var(--wp--preset--spacing--80)\"\/>\n\n\n\n<div class=\"wp-block-columns alignwide is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p class=\"has-large-font-size\">Residency programs <\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p>We also welcome international artists in residence at our premises in Marseille and Aix-en-Provence and as part of residency programs run with our partners. These residencies may be dedicated to research, creation, or production. <\/p>\n\n\n\n<div class=\"wp-block-buttons is-layout-flex wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button\"><a class=\"wp-block-button__link wp-element-button\" href=\"https:\/\/chroniques.org\/en\/creations\/residences\/\">Read more<\/a><\/div>\n<\/div>\n\n\n\n<p class=\"has-small-font-size\"><\/p>\n<\/div>\n<\/div>\n\n\n\n<hr class=\"wp-block-separator alignwide has-alpha-channel-opacity is-style-wide\" style=\"margin-top:var(--wp--preset--spacing--80);margin-bottom:var(--wp--preset--spacing--80)\"\/>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-gallery alignwide has-nested-images columns-default is-cropped wp-block-gallery-1 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image alignwide size-large has-custom-border\"><img loading=\"lazy\" decoding=\"async\" width=\"1500\" height=\"1000\" data-id=\"34304\" src=\"https:\/\/chroniques.org\/wp-content\/uploads\/2025\/10\/NQ7A4182-1500x1000.jpg\" alt=\"\" class=\"wp-image-34304\" style=\"border-radius:15px\" srcset=\"https:\/\/chroniques.org\/wp-content\/uploads\/2025\/10\/NQ7A4182-1500x1000.jpg 1500w, https:\/\/chroniques.org\/wp-content\/uploads\/2025\/10\/NQ7A4182-1000x667.jpg 1000w, https:\/\/chroniques.org\/wp-content\/uploads\/2025\/10\/NQ7A4182-768x512.jpg 768w, https:\/\/chroniques.org\/wp-content\/uploads\/2025\/10\/NQ7A4182-1536x1024.jpg 1536w, https:\/\/chroniques.org\/wp-content\/uploads\/2025\/10\/NQ7A4182-2048x1365.jpg 2048w\" sizes=\"auto, (max-width: 1500px) 100vw, 1500px\" \/><figcaption class=\"wp-element-caption\">La perception de l&#8217;astronome &#8211; Lucien Bitaux- 2022 \u00a9 Hugo Bougouin <\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image alignwide size-full has-custom-border\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"693\" data-id=\"34315\" src=\"https:\/\/chroniques.org\/wp-content\/uploads\/2025\/10\/2018_ZINC_Chroniques_Silencedesparticules_CREDIT_Pierre-Gondard_-46-2-1024x693-1.jpg\" alt=\"\" class=\"wp-image-34315\" style=\"border-radius:15px\" srcset=\"https:\/\/chroniques.org\/wp-content\/uploads\/2025\/10\/2018_ZINC_Chroniques_Silencedesparticules_CREDIT_Pierre-Gondard_-46-2-1024x693-1.jpg 1024w, https:\/\/chroniques.org\/wp-content\/uploads\/2025\/10\/2018_ZINC_Chroniques_Silencedesparticules_CREDIT_Pierre-Gondard_-46-2-1024x693-1-1000x677.jpg 1000w, https:\/\/chroniques.org\/wp-content\/uploads\/2025\/10\/2018_ZINC_Chroniques_Silencedesparticules_CREDIT_Pierre-Gondard_-46-2-1024x693-1-768x520.jpg 768w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\">Le Silence des Particules &#8211; Guillaume Cousin &#8211; 2022 \u00a9 Pierre Gondard<\/figcaption><\/figure>\n<\/figure>\n\n\n\n<figure class=\"wp-block-gallery alignwide has-nested-images columns-default is-cropped wp-block-gallery-2 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-large has-custom-border\"><img loading=\"lazy\" decoding=\"async\" width=\"1500\" height=\"998\" data-id=\"34529\" src=\"https:\/\/chroniques.org\/wp-content\/uploads\/2025\/10\/11-11-22_Biennale-Chroniques_Friche_CREDIT_Pierre-Gondard_-54-1500x998.jpg\" alt=\"\" class=\"wp-image-34529\" style=\"border-radius:15px\" srcset=\"https:\/\/chroniques.org\/wp-content\/uploads\/2025\/10\/11-11-22_Biennale-Chroniques_Friche_CREDIT_Pierre-Gondard_-54-1500x998.jpg 1500w, https:\/\/chroniques.org\/wp-content\/uploads\/2025\/10\/11-11-22_Biennale-Chroniques_Friche_CREDIT_Pierre-Gondard_-54-1000x666.jpg 1000w, https:\/\/chroniques.org\/wp-content\/uploads\/2025\/10\/11-11-22_Biennale-Chroniques_Friche_CREDIT_Pierre-Gondard_-54-768x511.jpg 768w, https:\/\/chroniques.org\/wp-content\/uploads\/2025\/10\/11-11-22_Biennale-Chroniques_Friche_CREDIT_Pierre-Gondard_-54-1536x1022.jpg 1536w, https:\/\/chroniques.org\/wp-content\/uploads\/2025\/10\/11-11-22_Biennale-Chroniques_Friche_CREDIT_Pierre-Gondard_-54.jpg 1800w\" sizes=\"auto, (max-width: 1500px) 100vw, 1500px\" \/><figcaption class=\"wp-element-caption\">La Caresse &#8211; Tryph\u00e8me &amp; Ulysse Lefort &#8211; 2022 \u00a9 Pierre Gondard<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large has-custom-border\"><img loading=\"lazy\" decoding=\"async\" width=\"1500\" height=\"998\" data-id=\"34298\" src=\"https:\/\/chroniques.org\/wp-content\/uploads\/2025\/10\/I-Chroniques_Biennale-Des-Arts-numeriques_2024_Ouvertue_Aix_08.09-11-24_\u00a9Pierre-Gondard-102-2-1500x998.jpg\" alt=\"\" class=\"wp-image-34298\" style=\"border-radius:15px\" srcset=\"https:\/\/chroniques.org\/wp-content\/uploads\/2025\/10\/I-Chroniques_Biennale-Des-Arts-numeriques_2024_Ouvertue_Aix_08.09-11-24_\u00a9Pierre-Gondard-102-2-1500x998.jpg 1500w, https:\/\/chroniques.org\/wp-content\/uploads\/2025\/10\/I-Chroniques_Biennale-Des-Arts-numeriques_2024_Ouvertue_Aix_08.09-11-24_\u00a9Pierre-Gondard-102-2-1000x665.jpg 1000w, https:\/\/chroniques.org\/wp-content\/uploads\/2025\/10\/I-Chroniques_Biennale-Des-Arts-numeriques_2024_Ouvertue_Aix_08.09-11-24_\u00a9Pierre-Gondard-102-2-768x511.jpg 768w, https:\/\/chroniques.org\/wp-content\/uploads\/2025\/10\/I-Chroniques_Biennale-Des-Arts-numeriques_2024_Ouvertue_Aix_08.09-11-24_\u00a9Pierre-Gondard-102-2-1536x1022.jpg 1536w, https:\/\/chroniques.org\/wp-content\/uploads\/2025\/10\/I-Chroniques_Biennale-Des-Arts-numeriques_2024_Ouvertue_Aix_08.09-11-24_\u00a9Pierre-Gondard-102-2-2048x1363.jpg 2048w\" sizes=\"auto, (max-width: 1500px) 100vw, 1500px\" \/><figcaption class=\"wp-element-caption\">DIY Auto Orchestra &#8211; Simon Lazarus &#8211; 2024\u00a9 Pierre Gondard<\/figcaption><\/figure>\n<\/figure>\n\n\n\n<figure class=\"wp-block-gallery alignwide has-nested-images columns-default is-cropped wp-block-gallery-3 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-large has-custom-border\"><img loading=\"lazy\" decoding=\"async\" width=\"1500\" height=\"1000\" data-id=\"34351\" src=\"https:\/\/chroniques.org\/wp-content\/uploads\/2025\/10\/DSC00582-1-2-1500x1000.png\" alt=\"\" class=\"wp-image-34351\" style=\"border-radius:15px\" srcset=\"https:\/\/chroniques.org\/wp-content\/uploads\/2025\/10\/DSC00582-1-2-1500x1000.png 1500w, https:\/\/chroniques.org\/wp-content\/uploads\/2025\/10\/DSC00582-1-2-1000x667.png 1000w, https:\/\/chroniques.org\/wp-content\/uploads\/2025\/10\/DSC00582-1-2-768x512.png 768w\" sizes=\"auto, (max-width: 1500px) 100vw, 1500px\" \/><figcaption class=\"wp-element-caption\">R\u00e9sidence de Paolo Almario &#8211; 2025 &#8211; \u00a9 Hugo Bougouin<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large has-custom-border\"><img loading=\"lazy\" decoding=\"async\" width=\"1500\" height=\"1000\" data-id=\"34337\" src=\"https:\/\/chroniques.org\/wp-content\/uploads\/2025\/10\/DSC00582-1500x1000.jpg\" alt=\"\" class=\"wp-image-34337\" style=\"border-radius:15px\" srcset=\"https:\/\/chroniques.org\/wp-content\/uploads\/2025\/10\/DSC00582-1500x1000.jpg 1500w, https:\/\/chroniques.org\/wp-content\/uploads\/2025\/10\/DSC00582-1000x667.jpg 1000w, https:\/\/chroniques.org\/wp-content\/uploads\/2025\/10\/DSC00582-768x512.jpg 768w, https:\/\/chroniques.org\/wp-content\/uploads\/2025\/10\/DSC00582-1536x1024.jpg 1536w, https:\/\/chroniques.org\/wp-content\/uploads\/2025\/10\/DSC00582-2048x1365.jpg 2048w\" sizes=\"auto, (max-width: 1500px) 100vw, 1500px\" \/><figcaption class=\"wp-element-caption\">Driss Ouaamar 2024 \u00a9 Hugo Bougouin<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large has-custom-border\"><img loading=\"lazy\" decoding=\"async\" width=\"1500\" height=\"1000\" data-id=\"34339\" src=\"https:\/\/chroniques.org\/wp-content\/uploads\/2025\/10\/DSC00608-1500x1000.jpg\" alt=\"\" class=\"wp-image-34339\" style=\"border-radius:15px\" srcset=\"https:\/\/chroniques.org\/wp-content\/uploads\/2025\/10\/DSC00608-1500x1000.jpg 1500w, https:\/\/chroniques.org\/wp-content\/uploads\/2025\/10\/DSC00608-1000x667.jpg 1000w, https:\/\/chroniques.org\/wp-content\/uploads\/2025\/10\/DSC00608-768x512.jpg 768w, https:\/\/chroniques.org\/wp-content\/uploads\/2025\/10\/DSC00608-1536x1024.jpg 1536w, https:\/\/chroniques.org\/wp-content\/uploads\/2025\/10\/DSC00608-2048x1365.jpg 2048w\" sizes=\"auto, (max-width: 1500px) 100vw, 1500px\" \/><figcaption class=\"wp-element-caption\">Yasmine Mahjoubi 2024 \u00a9 Hugo Bougouin<\/figcaption><\/figure>\n<\/figure>\n","protected":false},"excerpt":{"rendered":"<p>Artistic support Designated as the regional resource hub for artistic creation in the digital environment for the PACA region, we [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":30405,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"page-templates\/page-no-title.php","meta":{"footnotes":""},"class_list":["post-34638","page","type-page","status-publish","hentry","entry"],"_links":{"self":[{"href":"https:\/\/chroniques.org\/en\/wp-json\/wp\/v2\/pages\/34638","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/chroniques.org\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/chroniques.org\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/chroniques.org\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/chroniques.org\/en\/wp-json\/wp\/v2\/comments?post=34638"}],"version-history":[{"count":5,"href":"https:\/\/chroniques.org\/en\/wp-json\/wp\/v2\/pages\/34638\/revisions"}],"predecessor-version":[{"id":34979,"href":"https:\/\/chroniques.org\/en\/wp-json\/wp\/v2\/pages\/34638\/revisions\/34979"}],"up":[{"embeddable":true,"href":"https:\/\/chroniques.org\/en\/wp-json\/wp\/v2\/pages\/30405"}],"wp:attachment":[{"href":"https:\/\/chroniques.org\/en\/wp-json\/wp\/v2\/media?parent=34638"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}