{"id":30406,"date":"2023-11-28T18:18:48","date_gmt":"2023-11-28T17:18:48","guid":{"rendered":"https:\/\/chroniques.org\/creations\/call-for-projects\/"},"modified":"2025-12-10T13:51:24","modified_gmt":"2025-12-10T12:51:24","slug":"call-for-projects","status":"publish","type":"page","link":"https:\/\/chroniques.org\/en\/creations\/call-for-projects\/","title":{"rendered":"CHRONIQUES CREATIONS"},"content":{"rendered":"\n

CHRONIQUES CREATIONS<\/h1>\n\n\n\n
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Presentation<\/p>\n\n\n\n

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Created in 2018 and organized by CHRONIQUES \u2013 a project of the associations Seconde Nature in Aix-en-Provence and ZINC in Marseille \u2013 the Biennial of Digital Imaginaries is the highlight of digital arts and cultures in the South region.
Exploring visual arts, sound arts and live performance, the Biennial is interested in the presence and use of new technologies in art, invests the public space and gives voice to national and international artists from different backgrounds.
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In preparation for each edition of the Biennale, CHRONIQUES renews its support for the production and dissemination of original artworks through the CHRONIQUES CR\u00c9ATIONS production platform, supported by the R\u00e9gion Sud, the city of Marseille, the DRAC Provence-Alpes-C\u00f4te d’Azur, and the Direction G\u00e9n\u00e9rale de la Cr\u00e9ation Artistique of the Ministry of Culture as part of the Resource Hub.<\/p>\n<\/div>\n<\/div>\n\n\n\n

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CHRONIQUES Resources Hub<\/mark><\/p>\n\n\n\n

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CHRONIQUES was designated in 2024 by the Ministry of Culture as a resource hub for artistic creation in the digital environment for the PACA region.<\/strong><\/p>\n\n\n\n


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In response to changes in digital technology and its uses, and to better support hybrid and transdisciplinary forms of artistic creation in the digital environment, the Ministry of Culture is setting up regional resource hubs with a view to better structuring the ecosystem.
The aim is to support artists and professionals and to structure ecosystems and cooperation at the regional level, particularly in terms of production and distribution.<\/p>\n<\/div>\n<\/div>\n\n\n\n

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The CHRONIQUES CR\u00c9ATIONS <\/mark>platform<\/p>\n\n\n\n

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These new calls for projects are fully aligned with this dynamic, offering artists a structured framework to experiment, produce, and present their works. They aim to support artistic creation by strengthening synergies between artists, production venues, and distribution networks. <\/p>\n\n\n\n

Within the CHRONIQUES CREATIONS platform, production is envisioned as a comprehensive and collaborative journey, providing financial support, residency phases, and public presentation stages.
The CHRONIQUES CREATIONS platform brings together operators from various fields (visual arts, live performance, music, audiovisual, virtual reality, etc.) who are committed to supporting artists exploring and questioning new digital technologies.<\/p>\n<\/div>\n\n\n\n

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This commitment and collective work allows us to be agile in our support of works for which we think about the ecosystem of projects with a distribution plan that can be sustained by partner venues.<\/p>\n\n\n\n

From two categories in 2018, the CHRONIQUES CREATIONS platform expanded its selection to three categories in 2024: all disciplines creation, emerging creation, and creation in public spaces. As a result, about fifteen works from various disciplines are supported in production and showcased during each Biennale. <\/p>\n<\/div>\n<\/div>\n\n\n\n

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Marit Westerhuis – Touch Some Grass – <\/em>CHRONIQUES CR\u00c9ATIONS 2024 – \u00a9 Gr\u00e9goire \u00c9douard<\/figcaption><\/figure>\n<\/div>\n\n\n\n
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Studio Martyr – Disco Funeral – CHRONIQUES CR\u00c9ATIONS 2024 – \u00a9 Gr\u00e9goire \u00c9douard<\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n\n\n

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The Biennale of Digital Imaginaries<\/mark><\/p>\n\n\n\n

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The Biennale of Digital Imaginaries takes place every even-numbered year. <\/p>\n\n\n\n

It opens with a launch period that includes special events in public spaces, as well as dedicated spaces for professionals: themed forums (XR, artistic video games, etc.) and the March\u00e9 des Imaginaires Num\u00e9riques (Digital Imaginaries Market). <\/p>\n\n\n\n

During three months, a curated journey of around fifteen exhibitions draws more than 100,000 visitors in Marseille, Aix-en-Provence, Avignon, Arles, and Istres.
In the closing program, we spotlight new performative narratives\u2014emerging forms of theatrical, choreographic, and musical creation. <\/p>\n<\/div>\n\n\n\n

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Guests of honor : <\/strong><\/p>\n\n\n\n

Each edition of the Biennale highlights the artistic and professional scenes of a specific region alongside an international program.
The 2026 Biennale will feature Morocco, Egypt, and Tunisia as part of the Mediterranean Season 2026, organized by the Institut Fran\u00e7ais.<\/p>\n\n\n\n

Theme : Resistance: hacktivism, diversions and artistic tactics in the digital age<\/strong><\/p>\n\n\n\n

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Read the theme<\/a><\/div>\n\n\n\n
Read our charters<\/a><\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n
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Thomas Laigle – Lucif\u00e9rine<\/em> – CHRONIQUES CR\u00c9ATIONS 2024 – \u00a9 Gr\u00e9goire \u00c9douard<\/p>\n\n\n\n

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Winners artists 2025 :<\/h3>\n\n\n\n
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AGN\u00c8S DE CAYEUX<\/strong>
VR experience

CL\u00c9MENT \u00c9DOUARD
<\/strong>Visual and sound installation

COLLECTIF IMPATIENCE – PERRINE MORAY & OLIVIER BOR\u00c9EL
<\/strong>creation for public spaces

INVIVO – JULIEN DUBUC
<\/strong>performance & live show

J\u00c9R\u00c9MY GRIFFAUD
<\/strong>sound creation & visual art

LUNDJA MEDJOUB
<\/strong>sound creation & visual art

MATHILDE REYNAUD
<\/strong>installation based on the video game

MAWENA YEHOUESSI
<\/strong>visual arts installation<\/p>\n\n\n\n

MAXIME ARNOULD
performance & live entertainment <\/p>\n<\/div>\n\n\n\n

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MOUNIR AYACHE
visual arts inspired by video games

OLIVAIN PORRY
visual arts <\/p>\n\n\n\n

OLIVIER B\u00c9MER
<\/strong>visual arts <\/p>\n\n\n\n

ROMAIN TARDY
<\/strong>creation for public space<\/p>\n\n\n\n

SACHA REY
<\/strong>visual arts<\/p>\n\n\n\n

ST\u00c9FANE PERRAUD & ARAM KEBABDJIAN
<\/strong>visual arts <\/p>\n\n\n\n

ST\u00c9PHANIE ROLLAND
<\/strong>visual arts<\/p>\n\n\n\n

\u00c9TIENNE REY
<\/strong>visual arts<\/p>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n

The plateform CHRONIQUES CR\u00c9ATIONS is supported by R\u00e9gion Sud, the city of Marseille, the DRAC Provence-Alpes-C\u00f4te d\u2019Azur, and by the General Directorate of Artistic Creation of the Ministry of
Culture as part of the Resource Hub.<\/p>\n\n\n\n

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Discover the creations<\/a><\/div>\n<\/div>\n\n\n\n
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Key figures<\/h2>\n\n\n\n

In 2024, CHRONIQUES creations was :<\/strong><\/p>\n\n\n\n

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14<\/strong><\/p>\n\n\n\n

supported creations<\/p>\n\n\n\n

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44<\/strong><\/p>\n\n\n\n

parteners<\/p>\n\n\n\n

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Co-producers & residency venues 2025-2026<\/h2>\n\n\n\n
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GMEM<\/a><\/strong> \u2013 National Center for Musical Creation, Marseille
SCENE44 <\/strong>. <\/a>n + n corsino, Marseille
3 bis f <\/a><\/strong>\u2013 Centre d\u2019arts contemporains d\u2019int\u00e9r\u00eat national. R\u00e9sidences d\u2019artistes | arts vivants & arts visuels, Aix-en-Provence
AMI <\/a><\/strong>\u2013 Aide aux Musiques Innovatrices, Marseille
deletere<\/a><\/strong>, Marseille
BNM<\/a><\/strong> – Ballet National de Marseille
La Citadelle,<\/a><\/strong> Marseille
EDIS<\/a><\/strong> \u2013 Fonds de dotation, Grenier \u00e0 Sel, Avignon
LABgamerz <\/a><\/strong>\u2013 pratiques artistiques interdisciplinaires et multim\u00e9dia, Aix-en-Provence<\/p>\n<\/div>\n\n\n\n

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Le Hublot,<\/a><\/strong> center for digital training and creation, Nice
The Fruiti\u00e8re Num\u00e9rique<\/a><\/strong>, Lourmarin
Lieux Publics<\/a><\/strong> \u2013 Centre national des arts de la rue et de l\u2019espace public & p\u00f4le europ\u00e9en de cr\u00e9ation, Marseille
Euphonia<\/a><\/strong>, Marseille
6MIC<\/a> <\/strong>\u2013 Salle de concerts, Aix-en-Provence
Artagon<\/a><\/strong>, Marseille
Centre d\u2019arts plastiques<\/a><\/strong> Fernand L\u00e9ger, Ville de Port de Bouc
voyons voir, <\/a><\/strong>contemporary art and territory, Aix-en-Provence
Campus art M\u00e9diterran\u00e9e,<\/a><\/strong> Marseille
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Other co-producers & partners 2025-2026<\/h2>\n\n\n\n
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Festival Parall\u00e8le <\/a><\/strong>– Festival of international emerging artistic practices Marseille and Aix-en-Provence
F\u00eate des Lumi\u00e8res<\/a><\/strong>, Lyon
Dark Euphoria<\/a><\/strong>, Marseille
Festival Octobre Num\u00e9rique<\/a><\/strong>, Arles
Artagon<\/a><\/strong>, Marseille
IMERA<\/a> <\/strong>– Institut d’\u00c9tudes Avanc\u00e9es, Aix-Marseille Universit\u00e9
Rotondes<\/a> <\/strong>– Festival Multiplica, Luxembourg-Bonnevoie
Hexagone<\/a> <\/strong>– Sc\u00e8ne nationale, Meylan
OBLIQUE\/S<\/a> <\/strong>– R\u00e9seau professionnel des arts & cultures num\u00e9riques, Normandie
P\u00f4le Pixel<\/a><\/strong>, Villeurbanne<\/p>\n<\/div>\n\n\n\n

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Festival Constellations<\/a><\/strong>, Metz
Biennale Internationale des Arts du Cirque<\/a><\/strong>, Marseille
Espace Julien<\/a><\/strong>, Marseille
\u00c9cole Sup\u00e9rieure d\u2019Art Felix Ciccolini<\/a><\/strong>, Aix-en-Provence
Biennale N\u00e9mo<\/a><\/strong>, \u00cele de France
Festival Pleiades<\/a><\/strong>, Saint-Etienne
LABGamerz<\/a><\/strong> <\/a>– pratiques artistiques interdisciplinaires et multim\u00e9dia, Aix-en-Provence
Station Mir <\/a><\/strong>– Festival ]Interstice[, Caen
Association Electroni[k]<\/a><\/strong> <\/a>– Festival Maintenant, Rennes
C\u00e9sar\u00e9<\/a><\/strong> – Centre national de cr\u00e9ation musicale, Reims
Centre Wallonie Bruxelles, <\/a><\/strong>Paris<\/p>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

CHRONIQUES CREATIONS Presentation Created in 2018 and organized by CHRONIQUES \u2013 a project of the associations Seconde Nature in Aix-en-Provence […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":30405,"menu_order":2,"comment_status":"closed","ping_status":"closed","template":"page-templates\/page-no-title.php","meta":{"footnotes":""},"class_list":["post-30406","page","type-page","status-publish","hentry","entry"],"_links":{"self":[{"href":"https:\/\/chroniques.org\/en\/wp-json\/wp\/v2\/pages\/30406","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/chroniques.org\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/chroniques.org\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/chroniques.org\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/chroniques.org\/en\/wp-json\/wp\/v2\/comments?post=30406"}],"version-history":[{"count":36,"href":"https:\/\/chroniques.org\/en\/wp-json\/wp\/v2\/pages\/30406\/revisions"}],"predecessor-version":[{"id":34891,"href":"https:\/\/chroniques.org\/en\/wp-json\/wp\/v2\/pages\/30406\/revisions\/34891"}],"up":[{"embeddable":true,"href":"https:\/\/chroniques.org\/en\/wp-json\/wp\/v2\/pages\/30405"}],"wp:attachment":[{"href":"https:\/\/chroniques.org\/en\/wp-json\/wp\/v2\/media?parent=30406"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}