{"id":32644,"date":"2025-06-14T12:42:00","date_gmt":"2025-06-14T10:42:00","guid":{"rendered":"https:\/\/chroniques.org\/evenement\/desastre-des-astres\/"},"modified":"2025-06-26T11:13:51","modified_gmt":"2025-06-26T09:13:51","slug":"desastre-des-astres","status":"publish","type":"evenement","link":"https:\/\/chroniques.org\/en\/evenement\/desastre-des-astres\/","title":{"rendered":"D\u00e9sastre des astres"},"content":{"rendered":"\n<p>In 2025, CHRONIQUES dedicates a monographic exhibition to Lucien Bitaux, winner of the Vasarely Prize at the CHRONIQUES Biennial at the Vasarely Foundation.<\/p>\n\n\n\n<p><\/p>\n\n\n\n<p>Scattered around the Fondation Vasarely, mobile installations resemble archaeological dig sites: digging in search of an ancestral time. Inspired by the Bib\u00e9mus quarries and the Sainte-Victoire mountains painted by C\u00e9zanne, motorized structures vacillate between rocky chaos and mineral geometry. <\/p>\n\n\n\n<p>From astronomy to geology, the representation of the past seems to take on a mathematical and abstract aspect. Imbued with scientific schemes ranging from galaxy spectra to crystalline systems, the \u201cDisaster of the Stars\u201d exhibition reveals an ancestral age of ordered and repeated forms, symmetrical and regular, behind the disorder we imagine. The movements of the sculptures transform the roughness of the stones into a mesh reminiscent of Victor Vasarely&#8217;s motifs.  <\/p>\n\n\n\n<p>The strata that make up these mobile elements are mirrors: as in astronomy, they reflect the past directly, capturing light from a distant era. The result is a landscape combining geometric and chaotic figures in a continuous rhythm, like the mechanism of a clock. Despite the clues left by fossil radiation and geological layers, ancestral time seems impossible to measure, leaving us with the illusion of a world that can be explained by images.  <\/p>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1500\" height=\"1000\" src=\"https:\/\/chroniques.org\/wp-content\/uploads\/2025\/03\/17_Lucien-Biteaux_Vasarely_Basse-def_\u00a9Gregoire-Edouard-1500x1000.jpg\" alt=\"\" class=\"wp-image-33673\" srcset=\"https:\/\/chroniques.org\/wp-content\/uploads\/2025\/03\/17_Lucien-Biteaux_Vasarely_Basse-def_\u00a9Gregoire-Edouard-1500x1000.jpg 1500w, https:\/\/chroniques.org\/wp-content\/uploads\/2025\/03\/17_Lucien-Biteaux_Vasarely_Basse-def_\u00a9Gregoire-Edouard-1000x667.jpg 1000w, https:\/\/chroniques.org\/wp-content\/uploads\/2025\/03\/17_Lucien-Biteaux_Vasarely_Basse-def_\u00a9Gregoire-Edouard-768x512.jpg 768w, https:\/\/chroniques.org\/wp-content\/uploads\/2025\/03\/17_Lucien-Biteaux_Vasarely_Basse-def_\u00a9Gregoire-Edouard-1536x1024.jpg 1536w, https:\/\/chroniques.org\/wp-content\/uploads\/2025\/03\/17_Lucien-Biteaux_Vasarely_Basse-def_\u00a9Gregoire-Edouard-2048x1366.jpg 2048w\" sizes=\"auto, (max-width: 1500px) 100vw, 1500px\" \/><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1500\" height=\"1000\" src=\"https:\/\/chroniques.org\/wp-content\/uploads\/2025\/03\/40b_Lucien-Biteaux_Vasarely_Basse-def_\u00a9Gregoire-Edouard-1500x1000.jpg\" alt=\"\" class=\"wp-image-33675\" srcset=\"https:\/\/chroniques.org\/wp-content\/uploads\/2025\/03\/40b_Lucien-Biteaux_Vasarely_Basse-def_\u00a9Gregoire-Edouard-1500x1000.jpg 1500w, https:\/\/chroniques.org\/wp-content\/uploads\/2025\/03\/40b_Lucien-Biteaux_Vasarely_Basse-def_\u00a9Gregoire-Edouard-1000x667.jpg 1000w, https:\/\/chroniques.org\/wp-content\/uploads\/2025\/03\/40b_Lucien-Biteaux_Vasarely_Basse-def_\u00a9Gregoire-Edouard-768x512.jpg 768w, https:\/\/chroniques.org\/wp-content\/uploads\/2025\/03\/40b_Lucien-Biteaux_Vasarely_Basse-def_\u00a9Gregoire-Edouard-1536x1024.jpg 1536w, https:\/\/chroniques.org\/wp-content\/uploads\/2025\/03\/40b_Lucien-Biteaux_Vasarely_Basse-def_\u00a9Gregoire-Edouard-2048x1366.jpg 2048w\" sizes=\"auto, (max-width: 1500px) 100vw, 1500px\" \/><\/figure>\n<\/div>\n<\/div>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity is-style-wide\"\/>\n\n\n\n<p>An exhibition produced by CHRONIQUES in partnership with the Vasarely Foundation and Cerege (Centre de recherche et d&#8217;enseignement des g\u00e9osciences de l&#8217;environnement), with the support of the City of Aix-en-Provence.<\/p>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1500\" height=\"505\" src=\"https:\/\/chroniques.org\/wp-content\/uploads\/2025\/03\/LOGO_NOIRRBV-1500x505.png\" alt=\"\" class=\"wp-image-32629\" srcset=\"https:\/\/chroniques.org\/wp-content\/uploads\/2025\/03\/LOGO_NOIRRBV-1500x505.png 1500w, https:\/\/chroniques.org\/wp-content\/uploads\/2025\/03\/LOGO_NOIRRBV-1000x337.png 1000w, https:\/\/chroniques.org\/wp-content\/uploads\/2025\/03\/LOGO_NOIRRBV-768x259.png 768w, https:\/\/chroniques.org\/wp-content\/uploads\/2025\/03\/LOGO_NOIRRBV-1536x517.png 1536w, https:\/\/chroniques.org\/wp-content\/uploads\/2025\/03\/LOGO_NOIRRBV-2048x689.png 2048w\" sizes=\"auto, (max-width: 1500px) 100vw, 1500px\" \/><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"640\" height=\"447\" src=\"https:\/\/chroniques.org\/wp-content\/uploads\/2025\/03\/VASARELY.png\" alt=\"\" class=\"wp-image-32631\" style=\"width:179px;height:auto\"\/><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"1241\" height=\"768\" src=\"https:\/\/chroniques.org\/wp-content\/uploads\/2025\/03\/Ville-Aix-CAPITALE-noir-1.png\" alt=\"\" class=\"wp-image-32633\" style=\"width:217px;height:auto\" srcset=\"https:\/\/chroniques.org\/wp-content\/uploads\/2025\/03\/Ville-Aix-CAPITALE-noir-1.png 1241w, https:\/\/chroniques.org\/wp-content\/uploads\/2025\/03\/Ville-Aix-CAPITALE-noir-1-1000x619.png 1000w, https:\/\/chroniques.org\/wp-content\/uploads\/2025\/03\/Ville-Aix-CAPITALE-noir-1-768x475.png 768w\" sizes=\"auto, (max-width: 1241px) 100vw, 1241px\" \/><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"1555\" height=\"2252\" src=\"https:\/\/chroniques.org\/wp-content\/uploads\/2025\/03\/CZN25-LOGO-DORE\u2560u-horizontal.png\" alt=\"\" class=\"wp-image-32635\" style=\"width:122px;height:auto\" srcset=\"https:\/\/chroniques.org\/wp-content\/uploads\/2025\/03\/CZN25-LOGO-DORE\u2560u-horizontal.png 1555w, https:\/\/chroniques.org\/wp-content\/uploads\/2025\/03\/CZN25-LOGO-DORE\u2560u-horizontal-690x1000.png 690w, https:\/\/chroniques.org\/wp-content\/uploads\/2025\/03\/CZN25-LOGO-DORE\u2560u-horizontal-1036x1500.png 1036w, https:\/\/chroniques.org\/wp-content\/uploads\/2025\/03\/CZN25-LOGO-DORE\u2560u-horizontal-768x1112.png 768w, https:\/\/chroniques.org\/wp-content\/uploads\/2025\/03\/CZN25-LOGO-DORE\u2560u-horizontal-1061x1536.png 1061w, https:\/\/chroniques.org\/wp-content\/uploads\/2025\/03\/CZN25-LOGO-DORE\u2560u-horizontal-1414x2048.png 1414w\" sizes=\"auto, (max-width: 1555px) 100vw, 1555px\" \/><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"750\" height=\"745\" src=\"https:\/\/chroniques.org\/wp-content\/uploads\/2025\/03\/cerege_haut_cmjn_2024.jpg\" alt=\"\" class=\"wp-image-32637\" style=\"width:122px;height:auto\"\/><\/figure>\n<\/div>\n<\/div>\n\n\n\n<p><\/p>\n","protected":false},"excerpt":{"rendered":"<p>In 2025, CHRONIQUES dedicates a monographic exhibition to Lucien Bitaux, winner of the Vasarely Prize at the CHRONIQUES Biennial at 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