{"id":30711,"date":"2021-11-29T15:08:00","date_gmt":"2021-11-29T14:08:00","guid":{"rendered":"https:\/\/chroniques.org\/evenement\/linfini-turbulent\/"},"modified":"2024-01-30T12:29:10","modified_gmt":"2024-01-30T11:29:10","slug":"linfini-turbulent","status":"publish","type":"evenement","link":"https:\/\/chroniques.org\/en\/evenement\/linfini-turbulent\/","title":{"rendered":"L’Infini Turbulent"},"content":{"rendered":"\n

CHRONIQUES, an incubator for digital imagination, honors artist Boris Labb\u00e9 at the Espace Culturel D\u00e9partemental – 21 bis, Mirabeau and at the Mus\u00e9e des Tapisseries in Aix-en-Provence. This monographic diptych illustrates the richness of his artistic career: from animation to video installation, via set design and video mapping. <\/strong><\/p>\n\n

L’infini turbulent<\/em> (turbulent infinity), a title borrowed from Michaux but so evocative of Boris Labb\u00e9’s work, brings together just over ten years of the artist’s audiovisual practice and experimentation.<\/p>\n\n

Combining the use of digital moving-image techniques with those specific to animated cinema, the films and installations presented here form an original, bubbling language; a universe in perpetual (re)construction, bearing within itself the possibility of a possible disappearance.<\/p>\n\n

For his exhibition at the espace culturel d\u00e9partemental – 21, bis Mirabeau, Boris Labb\u00e9 presents two of his first animated works, Il(s) tourne(nt) en rond<\/em> (2010) and Kyrielle<\/em> (2011). These “youthful” works reveal the author’s themes and obsessions, developed later: a taste for the painting of the Flemish primitives, but also a barely concealed filiation with the classics of experimental animation, the invasion of space by characters, metamorphosis and a looping narrative. <\/p>\n\n

In the gothic gallery of the Mus\u00e9e des Tapisseries, Boris Labb\u00e9 recreates the set design he created for choreographer Angelin Preljocaj in 2020: Le lac des Cygnes<\/em>. The video installation, rearranged, reworked and re-sounded, retains only the first part of the original title: Le Lac.<\/em> The videos show primordial elements (water, smoke, clouds, birds, forest, architecture, a factory…) in constant tension with one another. The landscapes, often extremely dark, are both hyper-realistic and hyper-artificial. They confront us with the virtuality of the world, which we feel is on the verge of tipping over, and which may now be no more than a simulation or a mad construction.<\/p>\n","protected":false},"excerpt":{"rendered":"

A look back at ten years of audiovisual practice and experimentation <\/p>\n","protected":false},"featured_media":29095,"template":"","type_evenement":[21],"class_list":["post-30711","evenement","type-evenement","status-publish","has-post-thumbnail","hentry","type_evenement-exhibition","entry"],"_links":{"self":[{"href":"https:\/\/chroniques.org\/en\/wp-json\/wp\/v2\/evenement\/30711","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/chroniques.org\/en\/wp-json\/wp\/v2\/evenement"}],"about":[{"href":"https:\/\/chroniques.org\/en\/wp-json\/wp\/v2\/types\/evenement"}],"version-history":[{"count":1,"href":"https:\/\/chroniques.org\/en\/wp-json\/wp\/v2\/evenement\/30711\/revisions"}],"predecessor-version":[{"id":30712,"href":"https:\/\/chroniques.org\/en\/wp-json\/wp\/v2\/evenement\/30711\/revisions\/30712"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/chroniques.org\/en\/wp-json\/wp\/v2\/media\/29095"}],"wp:attachment":[{"href":"https:\/\/chroniques.org\/en\/wp-json\/wp\/v2\/media?parent=30711"}],"wp:term":[{"taxonomy":"type_evenement","embeddable":true,"href":"https:\/\/chroniques.org\/en\/wp-json\/wp\/v2\/type_evenement?post=30711"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}